BRANDED (REVISED EDITION): An Old West Spanking Tale

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ComiXology Thousands of Digital Comics. Doug , a mostly autobiographical creation, was largely inspired by Jinkins's childhood growing up in Virginia , with most characters in the series being based on real individuals. He first pitched Doug as a children's book to uninterested publishers before Nickelodeon purchased the show. Following this, the series underwent further development, in which Jinkins meticulously detailed every aspect of the show's setting.

Jinkins was insistent that the series have a purpose, and instructed writers to annotate each script with a moral. The show's unusual soundtrack consists largely of mouth noises. The series' original run consisted of 52 episodes over four seasons that were broadcast from to In , Disney acquired the series, retooling it with several creative changes, thus renaming it Brand Spanking New! It became a top-rated show, inspiring various books, merchandise, a live musical stage show, and a theatrical feature, Doug's 1st Movie , released at the series' conclusion in Doug revolves around Douglas "Doug" Funnie, an 11 later 12 -year-old boy who wants to be another face in the crowd, but by possessing a vivid imagination and a strong sense of morality , he is more likely to stand out.

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Bluffington is in the United States but not in any specific U. However, Bluffington is loosely based on the city of Richmond, Virginia , where creator Jim Jinkins was born and raised. Beyond the title character, Doug featured a large ensemble cast of characters. Many of the series' ancillary characters, among them Ms. Spitz, are based on authority figures from Jinkins' childhood. Doug was created by animator Jim Jinkins. He went on to animation and filmmaking at Ohio State University , and upon graduation, got a job working at PBS in their children's programming unit.

Jinkins first sketched the character of Doug while doodling without thought, not aiming to create a character based on himself. He began to view the character as his "alter-ego," drawing him in variously cynical and silly scenarios in his sketchbook. In , Jinkins' career took a turn for the worse, as well as his personal life: The character's early designs were solidified alongside friend David Campbell at a small Mexican restaurant in New York.

He later credited the character's odd coloring choices from being in a "margarita stupor. Meanwhile, cable network Nickelodeon , aiming to expand its content and find creative auteurs, began a search for animators to develop their first original animated series.

Doug (TV series) - Wikipedia

This was very unusual for the time period, which often consisted of pre-licensed characters, such as Teenage Mutant Ninja Turtles and Where's Waldo? Jinkins had actually worked at the network before it was renamed Nickelodeon; he was employed in the late s when it was named Pinwheel. Jinkins made sure that his contract allowed him to take the series to another network if Nickelodeon did not complete the show's order.

In another unusual move, Nickelodeon allowed their purchased pilots to be animated at independent studios. Jinkins founded Jumbo Pictures to produce Doug. He would later recall the oddity of the deal, remarking, "that was a moment in time where we were able to be an independent production company and deliver those shows.

Jinkins characterized the series as not entirely autobiographical, but emotionally accurate to his childhood experiences. Prior to the show's premiere, Jinkins sent messages to each subject of inspiration, notifying them of their inclusion. Jinkins felt it was important to not insert overly religious themes into the series, but he viewed it essential that each episode contain a moral. The show's design was labor-intensive, intended to convey a certain logic to the show's universe.

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In the show's pitch bible, which Jinkins described as "huge," contain floor plans for each main character's homes, as well as maps of each street. Jinkins asked each writer to place a central theme at the top of each script — what issue Doug is dealing with, and what he learns. While developing the series, Jinkins wanted to change its name from Doug to The Funnies , but the network encouraged him to stick with the original name.

In translating the show to animation, the characters' designs were solidified. Blechman at the Ink Tank, incorporating Blechman's nervous line quality. Jinkins was also very involved in the show's music. One of the show's most notable elements is its unique soundtrack, which consist of various mouth sounds by voice actor Fred Newman. The band's members also visually resemble Ringo Starr of the Beatles and Robert Plant of Led Zeppelin , and their penchant for endless reunion tours owes to the Who. Jinkins viewed the series' music as an accent to the storytelling.

Creating the music for the series was a deliberate attempt to deviate from the standard for animated cartoons, which traditionally followed the works of Carl Stalling. Newman's scat singing plays over transitions in the series. The show also incorporated homemade sound effects. In the closing credits for the first season of Nickelodeon's Doug , two different pieces of music would play: Subsequent seasons, however, use a single piece of music for their closing credits despite using the same animation. Starting with the Disney series, the credits have used Doug chasing Porkchop to the left and right while the credits play.

The original deal required Jumbo to produce 65 episodes of Doug , which Nickelodeon would air in blocks of 13 per season. The network had a two-year window in which it could reverse the decision. The duo received strong interest from several networks, among them ABC.

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  • Each time they received interest, they would notify Nickelodeon in order to speed up ordering the series' fifth season. The deal involved buying Jumbo Pictures and "signing them to five-year contracts, with stock options, to be Disney executives. Due to the gap in time it took between the series' run on Nickelodeon and its beginning on ABC, there were several creative changes.

    Many original staff members of Doug regard the Disney run as inferior.

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    Jinkins was less hands-on regarding production of the show's Disney episodes due to other responsibilities. David Campbell felt the Nickelodeon episodes were "quirkier" and better, while Constance Shulman, Patti Mayonnaise's voice actress, felt voice recording sessions were not the same in the show's newer incarnation: Someone just dimmed the magic a bit. The series covers aspects of desiring to be different while coming of age. We put ourselves through enormous pain to avoid pain and I had this notion of: What if we just told the truth?

    In the adult world, the notion of truth and not-truth is complicated, but I didn't want to debate it. I didn't want to show all of the ambiguity of the adult world to kids. I wanted to show kids a world where everyone took honesty seriously. For example, the episode "Doug's in the Money" finds the titular character coming across an envelope of cash and returning it to its elderly owner.

    BRANDED (REVISED EDITION): An Old West Spanking Tale BRANDED (REVISED EDITION): An Old West Spanking Tale
    BRANDED (REVISED EDITION): An Old West Spanking Tale BRANDED (REVISED EDITION): An Old West Spanking Tale
    BRANDED (REVISED EDITION): An Old West Spanking Tale BRANDED (REVISED EDITION): An Old West Spanking Tale
    BRANDED (REVISED EDITION): An Old West Spanking Tale BRANDED (REVISED EDITION): An Old West Spanking Tale
    BRANDED (REVISED EDITION): An Old West Spanking Tale BRANDED (REVISED EDITION): An Old West Spanking Tale
    BRANDED (REVISED EDITION): An Old West Spanking Tale BRANDED (REVISED EDITION): An Old West Spanking Tale

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